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1. #Tabledit right hand fingering how to
2. #Tabledit right hand fingering full
3. #Tabledit right hand fingering series

For example, in bar 1, one would expect the 6th note to be taken by the index finger, as it is a weak note off the beat. This is because of the configuration of strings being played. I have added fingerings which sometimes depart from the normal rule of middle finger on strong notes and index finger on weak notes. Right hand fingeringĪ second issue raised by this piece is the sequence of right-hand fingering. When you can do this fluently you can integrate the technique into a piece. Try the rest and free strokes simultaneously, taking care that the finger does not make a rest stroke too.The middle and index fingers are most frequently used, but don't neglect the ring finger: you will eventually need it in four-part chords. When the rest stroke is working, alternate a rest stroke played by the thumb with a free stroke played by a finger on a different course.You can experiment with varying the amount of thumb pad engaging the strings, since this is effectively your tone and volume control. It will cross the strings virtually perpendicular to them. Practise the rest stroke alone, allowing the thumb to simply drop through the course.I suggest learning the technique in three stages: However, it is well worth mastering because the rest stroke gives a stronger bass sound, useful for supporting a harmony, bringing out a voicing, or - as here - supplying a strong drone bass. The finger uses the normal 'free stroke' ending in the air, and it is this combination of free and rest strokes which many beginners find difficult. This technique is almost entirely gravity-driven and requires a very relaxed thumb.

A refinement of this technique is to use a 'rest stroke' with the thumb, whereby the thumb comes to rest on the adjacent course when it has completed its stroke. This technique is used for any chord, and in each case the thumb and finger(s) end in the air above the string after they have plucked it. The resultant slight deflection of the strings from their usual path provides some of the energy required to produce a good sound. To engage both strings of a double course equally it may be helpful to think of the individual strings as marking the edges of a fine ribbon, and aim to get the pad of the finger or thumb in the middle of that ribbon.

#Tabledit right hand fingering series

The pincering movement itself is tiny if you play a series of two-part chords it will feel (and look) as though your right hand is almost 'bouncing' on the strings, the pincering motion providing the contact with the strings. The solution is a slight 'pincering' motion of the right hand thumb and finger, plucking towards each other and also pressing into each course to engage the strings firmly.

#Tabledit right hand fingering how to

I am often asked how to deal with chords when playing thumb-inside, since the arm movement which controls single note playing is not obviously helpful with simultaneous notes plucked in opposite directions. The first concerns the plucking of two-part chords. This tiny little piece, the third in the Society's 58 Very Easy Pieces anthology, gives us the opportunity to consider two different right hand issues.

#Tabledit right hand fingering full